But the autobiographical tale by author and artist Marjane Satrapi -- revealed in simple, stark, black-and-white images -- is told with such humor that it elicits as many smiles as it does tears. Satrapi's book has been widely acclaimed, with some critics comparing it to Art Spiegelman's Pulitzer Prize-winning "Maus," which chronicled his father's experiences at Auschwitz.
Satrapi said that, following the 1979 Islamic Revolution, Iran -- a country with 2,500 years of civilization behind it -- has been mostly discussed in connection with fundamentalism and terrorism. She said that by writing "Persepolis," she wanted to show the world that all Iranians are not religious fanatics. "Suddenly, we had this image of bad terrorist people and the Iranian people, they were...the men were bearded and all of them looked like gorillas, and the women were in the black chador, and they looked like black birds," she said. "And when I came to Europe, the questions [people used to ask me] were -- how many wives does your father have and have you ever heard any pop music in your country? You know, very stupid questions."
"Persepolis" has been praised by critics for its firsthand account of life in postrevolution Iran and the country's transition into an Islamic society. It was a turbulent time. Co-educational schools were closed. Pop music was banned, with tapes sold only on the black market. During the Iran-Iraq War, young Iranian boys were sent to the front lines with a golden key, which was supposed to open heaven's door if they died in battle.
In the first chapter of "Persepolis," Marji, the main character, talks about the veil. Shortly after the Islamic Revolution, wearing head scarves in public became mandatory for women and girls. Marji says, "We didn't really like to wear the veil, especially since we didn't understand why we had to."
In several of the images, young girls are shown at school playing with their veils. One of them puts the veil on her face and says, "Ooh, I'm the monster of darkness." Another girl is strangling her friend with the veil and saying, "Execution in the name of freedom." And another one is using her scarf as a jump-rope.
Wearing head scarves or other overt religious symbols was recently banned in schools in France, where Satrapi lives. In her opinion, forcing women not to wear head scarves is as bad as forcing them to wear them.
Satrapi's comic strips and illustrations have appeared in such notable publications as "Liberation," "El Pais," "Internazionale," "The New York Times" and "The New Yorker." She said she is working on a new book called "Khoreshte Aloo," or chicken with plums, which is an Iranian dish. The book is set to be published in France in November.
Satrapi talked about the plot: "There is this musician. He is a tar [a stringed instrument] player. Well, his wife breaks his tar, so he buys the first, then the second, then the third and the fourth tar, and none of them makes the sound that he would like to listen to. And so he decides to die, and he lies down in his bed, and eight days later he dies. The story [of the book] is actually these eight days, and at the end of the book you understand that it's not so much his instrument that was broken that made him die, [but] you discover in the book that the problem is that he had lost the pleasure of playing the instrument."
Satrapi said she is deeply convinced that people die when they lose the "pleasure of living." Such a fate is unlikely to befall Satrapi. She is full of "joie de vivre" and said she plans to write and illustrate more stories about people who have touched her heart.